Márton Dés Logo
Márton Dés Logo
broken image

 

  • NEWS
  • PAINTINGS 
    • SERIES
    • ARCHIVE
  • DRAWINGS AND SKETCHBOOKS 
    • SINGLE DRAWINGS
    • SKETCHBOOKS
    • PUBLICATION
    • ILLUSTRATIONS
  • EXHIBITIONS
  • BIO
  • SHOP
  • …  
    • NEWS
    • PAINTINGS 
      • SERIES
      • ARCHIVE
    • DRAWINGS AND SKETCHBOOKS 
      • SINGLE DRAWINGS
      • SKETCHBOOKS
      • PUBLICATION
      • ILLUSTRATIONS
    • EXHIBITIONS
    • BIO
    • SHOP
Márton Dés Logo
Márton Dés Logo
broken image

 

  • NEWS
  • PAINTINGS 
    • SERIES
    • ARCHIVE
  • DRAWINGS AND SKETCHBOOKS 
    • SINGLE DRAWINGS
    • SKETCHBOOKS
    • PUBLICATION
    • ILLUSTRATIONS
  • EXHIBITIONS
  • BIO
  • SHOP
  • …  
    • NEWS
    • PAINTINGS 
      • SERIES
      • ARCHIVE
    • DRAWINGS AND SKETCHBOOKS 
      • SINGLE DRAWINGS
      • SKETCHBOOKS
      • PUBLICATION
      • ILLUSTRATIONS
    • EXHIBITIONS
    • BIO
    • SHOP
Márton Dés Logo

Born in Transition

27.06. - Studio Hannibal, Berlin

broken image

KINCSŐ BEDE | LŐRINC BORSOS | MÁRTON DÉS | ISTVÁN FELSMANN | MÁRK FRIDVALSZKI |
PÉTER LICHTER | ÁRON LŐDI | JUDIT LILLA MOLNÁR | ZSUZSANNA SIMON


curated by:
Katalin Kortmann Járay & Barnabás Zemlényi-Kovács

As 2025 marks a quarter of a century since the closure of the Nineties, BORN IN TRANSITION delves into the diverse intersections of childhood and politics during
the first decade after the collapse of communism, through the critical
reflections of Hungarian artists who were born and raised in this period
of profound paradigm shifts - across social, ideological, economic,
cultural, and technological spheres - still shaping our contemporary
reality.


On December 12, 1993, the Hungarian broadcast of the massively popular animated television series DuckTales was abruptly interrupted by the sudden announcement of Prime Minister
József Antall‘s death, creating a „flashbulb memory“ for a generation.
Mirroring how
DuckTales‘s whimsical, childlike world traumatically collided with the stark political realities of the time,
the exhibition builds upon this dual perspective: the contrast and
interaction between individual and collective experiences, personal and
political, nostalgic and critical, child and adult viewpoints, the
zeitgeist of the Nineties and the Now, realised and failed futures,
generational optimism and collective disillusionment.

Previous
ÄäÄäÁCIÓ!
Next
Echopraxia
 Return to site
Cookie Use
We use cookies to improve browsing experience, security, and data collection. By accepting, you agree to the use of cookies for advertising and analytics. You can change your cookie settings at any time. Learn More
Accept all
Settings
Decline All
Cookie Settings
Necessary Cookies
These cookies enable core functionality such as security, network management, and accessibility. These cookies can’t be switched off.
Analytics Cookies
These cookies help us better understand how visitors interact with our website and help us discover errors.
Preferences Cookies
These cookies allow the website to remember choices you've made to provide enhanced functionality and personalization.
Save